混凝土削减/ Pitsou Kedem Architects
标签:建筑, 居住建筑, 住宅, 以色列, 2014, Pitsou Kedem Architects, 混凝土, 玻璃 由专筑网朱王倩,刘庆新编译
来自建筑事务所的描述:线条的创造,视觉表现的产生,从写作的开端到抽象的洞穴壁画,再到和数学公式,已经成为整个艺术、科学和技术史上的一个汇合点。所有这些使用图表化去表达新奇的想法。黑色背景上的线条时短时长,时细时宽,似乎代表着方向,又像是在移动,有时是聚集或分散。非常吸引人,线条画永久地将世界分为两半。孤立的线同时分离并联系各自世界映射到自己身上。
混凝土削减/ Pitsou Kedem Architects
关键词:iarch专筑,专筑视频,专筑讲坛,专筑
From the architect. The creation of a line, this birth of the visual act, has been a
meeting point throughout history of art, science and technology from the dawn of writing to the abstractness of cave drawings and the penning of mathematical formulas. All of them make use of graphics to express a novel idea. A line on a dark background? short or long, thin or thick ?sometimes? expresses orientation or movement, at times convergence or divergence, pain and freedom, connection or physical repulsion. It is one of the most fascinating of its properties ?that the very border, which a line draws also permanently breaks worlds in two. A single lines simultaneously divides and connects separate worlds? each one onto himself.
从前面看,Beit Mor看起来像整体铺设而成,有着深色的、单一的色调。三个矩形体块彼此叠合,显得平静、稳定、内敛,表现为巨大的体块。
Viewed from the front, Beit Mor looks like a monolithic operation of materials with a deep, monochromatic range of colors. Three rectangular prisms, lain upon one another, into a peaceful composition, stable and subdued, appearing as heavy masses.
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